Fast forward to 2011, smart phones and hand held computing devices have definitely matured. One of the apps I’m most impresses with is bump. This technology takes the “beam my contact info” to a whole new level. Its now possible to beam or bump as I will now refer to it all types of different content between devices.

Within bump I was struggling with how to setup two different contacts for myself, I wanted one for business info and one for personnel info. I checked the bump web site, tuned to google and still couldn’t find the answer so I emailed bump. When I download a free app I don’t have an expectation of getting good customer service, matter of fact I don’t expect the free app comes with any customer service. To my (pleasant) surprise bump replied to my email in less than 12 hours. After providing bump with the platform I was using they quickly emailed me back the instructions to accomplish what I was looking to do. Here are the steps that Sadie from Bump Technologies, Inc. sent me:

How to create multiple profiles in bump (iOS)

1. Start by filling out your contact card to include all of your information. Work and personal alike. Select save profile as something like “all info” or something you’ll recognize later.
2. Once you have finished that open up the ‘Contacts’ tab. You should see all of your information laid out. Then all you need to do is tap on all of your work information so that there is a check mark next to each line, and your personal information will be dimmed.
3. Scroll down and hit “save as a profile..” and type in a name to indicate that profile will be used strictly for professional networking.
4. Then do the same but for your personal information, make sure each line has a check next to it and each of your professional info is dimmed. Hit “save as a profile..” and name it.

These directions were easy to follow and accomplished what I was looking to do. Bump also offered to walk me through the process over the phone if I was still having issues.

Bump is an innovative and useful product with excellent customer service!

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This is a totally harmless little Adobe Illustrator exercise. I recently got an e-mail from a former intern, asking for some advice on a celtic knot graphic he was trying to re-create. I told him I was happy to oblige. Maybe you can get something out of this, as well. If you are an average user of Illustrator, I think this is up your alley. Keep it loose and have fun.

Looking at the original, examine the shape and notice the basic symmetry of the knot. You will see how certain characteristics repeat and how the four sections are similar to each other. This is important because it lets us know that we can work on one part of this shape, then alter it slightly to create the entire pattern. Before you start, turn on the “Snap to Point” feature under VIEW. This is useful because it will help you quickly line up shapes on top of others when you start doing surgery on your graphic. To set up this exercise, create a new Illustrator file with two layers. Import the KNOT jpeg into the lower layer, click on “Dim Image” and type in 30% — then lock the layer. We will create our knot on the layer above using the “dimmed” image below as our guide.

STEP ONE. To begin – Select one of the design’s four quarter-shapes, and use the pen tool to rough in a center line. Use a thin point line in a loud color (like PINK), so you can easily see your path and how it relates to the shapes behind it. Drag your points at the rise of each “hump” and then use a corner point when you need to change direction. This will allow you to adjust the shape where the curves lie.

STEP TWO. Once the line looks good to your eye, add thickness till the line weight matches the shape below it. Get close, but feel free to make this your own design. (In this example, we will actually be looking to improve on the original by cleaning things up and bringing more symmetry to the final image.) I started with a 1-pt. line, then thickened it to a 34-pt. line.

STEP THREE. Next, Outline the stroke under OBJECT > PATH.

STEP FOUR. Change the new vector shape to an outline (delete fill) and start doing surgery on the graphic where the shape is meant to dissect.  I created a rectangle that I could line up on the shape and use over and over to rotate into position and then –-

STEP FIVE. With the “Pathfinder Tool” –- delete sections from the knot shape.

STEP SIX. Next, copy and flip completed image, and rotate into the next position. Use an imaginary “center” point in the middle of the four shapes to rotate and flip around. Tweak the new image’s placement as needed. Now you are halfway there!

STEP SEVEN. Select the two shapes, and copy/flip/rotate them into a mirror position. While selected, move them into a position that roughly follows the original design. Again, you can flip and rotate around that invisible “center” point.

STEP EIGHT.  Add in the extra images (two sets of concentric circles appear to be sitting on top of the KNOT) –- Skip this step if you’d rather. They don’t seem to be all that important. I kept them in, because it is useful to show that you can quickly create a circle on top of a circle on top of a circle, then select your 3-circle graphic and – holding the option/apple/shift keys – drag and copy it into the same position across from itself.

STEP NINE.  Finally, fill the shapes with the blue color and set the knot on a black box (background). At this point, I was able to see a few flaws to my eye, so I used the hollow arrow (“Direct Selection” tool) to grab individual edges of the graphic and slightly shift them into a more correct position.

Bada Bing. Total time: 10 minutes. You have just completed your own celtic knot (or Tusken Raider) — you decide! Wasn’t that fun? Feel free to make your own adjustments to the steps I outlined here, and write me to let me know how this worked for you. Happy (vector) drawing!

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